The new Netflix film Baramulla opens with themes of generational trauma rooted in Kashmir and explores their impact on the present day. Warning: This summary contains spoilers.
Set in December 2016 amid the snowy landscapes of Kashmir, Baramulla begins as a police investigation but gradually transforms into a deeper meditation on faith, trauma, and redemption. DSP Ridwaan Sayyed (Manav Kaul), a newly transferred police officer, arrives in the quiet town of Baramulla to probe a series of child disappearances.
The family moves into an old, abandoned house that once belonged to the Kashmiri Pandit family, the Saprus—Kamalanand, his wife Mansi, and their children Eela and Sharad—unaware that the house harbors memories of past violence and unsettled spirits.
As Ridwaan’s investigation progresses, Baramulla reveals that the true mystery extends beyond the missing children. The haunted house itself and the psychological scars carried by those connected to it hold the key. The film portrays how the past refuses to be buried and confronts the characters’ consciences.
“The real mystery lies not only in the streets but within the walls of the house—and in the conscience of those who try to bury the past.”
The house belonged decades ago to the Kashmiri Pandit family, the Saprus, whose tragic history is intertwined with the current events, linking personal loss and collective trauma.
This film intricately weaves Kashmir’s troubled past with a gripping mystery, portraying how trauma continues to shape the region’s present and the souls of its people.